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1988 American fantasy comedy film past Tim Burton

Beetlejuice
Beetlejuice (1988 film poster).png

Theatrical release poster by Carl Ramsey
Directed past Tim Burton
Screenplay by
  • Michael McDowell
  • Warren Skaaren
Story by
  • Michael McDowell
  • Larry Wilson
Produced by
  • Michael Bender
  • Larry Wilson
  • Richard Hashimoto
Starring
  • Alec Baldwin
  • Geena Davis
  • Jeffrey Jones
  • Catherine O'Hara
  • Winona Ryder
  • Michael Keaton
Cinematography Thomas E. Ackerman
Edited by Jane Kurson
Music by Danny Elfman

Production
visitor

The Geffen Company
Distributed by Warner Bros.

Release date
  • March 30, 1988 (1988-03-xxx)

Running time

 92 minutes
Country U.s.
Language English
Budget $15 one thousand thousand
Box office $74.2 1000000[1]

Beetlejuice is a 1988 American fantasy comedy film[2] [3] directed by Tim Burton, produced by The Geffen Company, and distributed by Warner Bros. Pictures. The plot revolves effectually a recently deceased couple (Alec Baldwin and Geena Davis) who, as ghosts haunting their former home, contact Betelgeuse (pronounced and occasionally spelled Beetlejuice in the film and portrayed by Michael Keaton), an obnoxious and devious "bio-exorcist" from the Netherworld, to scare away the house's new inhabitants (Catherine O'Hara, Jeffrey Jones, and Winona Ryder).

Beetlejuice was a critical and commercial success, grossing US$74.2 1000000 from a upkeep of US$15 1000000. Information technology won the Academy Award for Best Makeup and three Saturn Awards: Best Horror Film, All-time Makeup, and Best Supporting Extra for Sylvia Sidney. The picture show'southward success spawned an animated tv set series, video games, and a 2018 stage musical.

A sequel is in the works with Keaton and Ryder reprising their roles while Brad Pitt volition serve equally producer.

Plot [edit]

In Winter River, Connecticut, Barbara and Adam Maitland decide to spend their vacation decorating their idyllic country home. As they are driving dwelling from a trip to town, Barbara swerves to avoid a dog and the automobile plunges into the river. After returning dwelling house, she and Adam detect they now lack reflections and find the book Handbook for the Recently Deceased.

They begin to suspect they did not survive the machine blow. When Adam attempts to exit the firm, he ends up in a strange and otherworldly desert-like mural populated by enormous sandworms.

The house is sold and the new owners, the Deetz family, arrive from New York City. Charles Deetz is a former existent estate programmer; his second wife Delia is a self-proclaimed sculptor; and his goth daughter Lydia, from his first marriage, is an aspiring photographer. Under the guidance of interior designer Otho, the family transforms the house into a pastel-toned work of modern art.

Consulting the Handbook, the Maitlands travel to an otherworldly waiting room populated past other distressed souls, where they find the afterlife is structured according to a complex bureaucracy involving vouchers and caseworkers. The Maitlands' caseworker, Juno, informs them they must remain in the firm for the next one hundred and xx v years, on pain of a dire fate. If they want the Deetzes out of the house, information technology is up to them to scare them abroad.

Although Adam and Barbara remain invisible to Charles and Delia, teenager Lydia can run across the ghost couple and befriends them. Confronting Juno'south advice, the Maitlands contact the miscreant Betelgeuse, Juno'south former banana and a at present freelance "bio-exorcist", to scare away the Deetzes. At first, they are unaware his name is pronounced "Beetlejuice", which is why they have such difficulty pronouncing it and thereby summoning him.

However, Betelgeuse quickly offends the Maitlands with his crude and morbid demeanor: they reconsider hiring him, though too late to stop him from wreaking havoc on the Deetzes. The pocket-sized town'due south charm and the supernatural events inspire Charles to pitch his boss Maxie Dean on transforming the town into a tourist hot spot, just Maxie wants proof of the ghosts. Using the Handbook for the Recently Deceased, Otho conducts what he thinks is a séance and summons Adam and Barbara, using their wedding wearing apparel, but they begin to disuse and die, as Otho had unwittingly performed what was actually an exorcism, instead.

Horrified, Lydia summons Betelgeuse for help; but he will merely help her on the condition that she marries him, enabling him to freely cause chaos in the mortal globe. He saves the Maitlands and disposes of Maxie, his wife, and Otho, and so prepares a wedding ceremony earlier a ghastly minister. The couple intervene before the anniversary is completed, with Barbara riding a sandworm through the firm to devour Betelgeuse.

Finally, the Deetzes and Maitlands hold to live in harmony within the house. Betelgeuse, meanwhile, is stuck in the after-life waiting room; there he antagonizes a witch doc, who shrinks his head. Being Betelgeuse, however, he remains upbeat and states that information technology is fine for him.

Cast [edit]

  • Michael Keaton as Betelgeuse (pronounced Beetlejuice)
  • Alec Baldwin every bit Adam Maitland
  • Geena Davis every bit Barbara Maitland
  • Jeffrey Jones equally Charles Deetz
  • Catherine O'Hara as Delia Deetz
  • Winona Ryder as Lydia Deetz
  • Sylvia Sidney every bit Juno
  • Robert Goulet as Maxie Dean
  • Dick Cavett equally Bernard
  • Glenn Shadix every bit Otho
  • Annie McEnroe every bit Jane Butterfield
  • Maree Cheatham as Sarah Dean
  • Tony Cox as Preacher
  • Susan Kellermann as Grace, the glamorous house guest
  • Adelle Lutz as Beryl
  • Jack Affections (voice)

Production [edit]

Development [edit]

Following the financial success of Pee-wee'southward Big Run a risk (1985) Tim Burton became a "bankable" managing director and began working on a script for Batman with Sam Hamm. While Warner Bros. was willing to pay for the script'south development, they were less willing to greenish-light Batman.[iv] Burton had get disheartened past the lack of imagination and originality in the scripts that had been sent to him, particularly Hot to Trot. David Geffen handed Burton the script for Beetlejuice, written by Michael McDowell (who wrote the script for "The Jar", an episode of Alfred Hitchcock Presents directed by Burton).[4]

Larry Wilson was brought on board to continue rewriting work with McDowell, though Burton replaced McDowell and Wilson with Skaaren due to creative differences. Burton's original choice for Betelgeuse was Sammy Davis Jr. The producers also considered Dudley Moore and Sam Kinison for the role; only Geffen suggested Keaton. Burton was unfamiliar with Keaton's work, just was quickly convinced.[5] [half dozen] The function of Lydia Deetz was auditioned for by several actresses such as Sarah Jessica Parker, Brooke Shields, Lori Loughlin, Diane Lane, Justine Bateman, Molly Ringwald, Juliette Lewis and Jennifer Connelly.[7] Alyssa Milano was the runner-upwards for the part of Lydia Deetz.[8] Burton bandage Ryder upon seeing her in Lucas. Anjelica Huston was originally cast as Delia Deetz only then afterwards dropped out due to illness.[vii] O'Hara rapidly signed on, while Burton claimed information technology took a lot of time to convince other bandage members to sign, as "they didn't know what to call back of the weird script."[9]

Beetlejuice 's budget was US$15 million, with just US$1 million given over to visual effects work. Considering the calibration and scope of the effects, which included cease motion, replacement animation, prosthetic makeup, puppetry and blueish screen, information technology was e'er Burton'south intention to brand the style similar to the B movies he grew upward with as a child. "I wanted to make them wait cheap and purposely fake-looking", Burton remarked.[ten] Burton had wanted to rent Anton Furst as production designer after being impressed with his piece of work on The Visitor of Wolves (1984) and Full Metal Jacket (1987), though Furst was committed to High Spirits, a choice he later regretted.[11] He hired Bo Welch, his future collaborator on Edward Scissorhands (1990) and Batman Returns (1992). The exam screenings were met with positive feedback and prompted Burton to picture an epilogue featuring Betelgeuse heedlessly angering a witch physician.[12] Warner Bros. disliked the championship Beetlejuice and wanted to call the moving picture Firm Ghosts. Equally a joke, Burton suggested the name Scared Sheetless and was horrified when the studio actually considered using it.[xiii] Exterior shots were filmed in East Corinth, Vermont.[14]

Writing [edit]

McDowell's original script is far less comedic and much darker; the Maitlands' automobile crash is depicted graphically, with Barbara's arm existence crushed and the couple screaming for assist every bit they slowly drown in the river.[15] A reference to this remained, as Barbara remarks that her arm feels frozen upon returning home equally a ghost.[xvi] Instead of possessing the Deetzes and forcing them to dance during dinner, the Maitlands cause a vine-patterned carpet to come up to life and attack the Deetzes past tangling them to their chairs.

The grapheme of Betelgeuse—envisioned by McDowell every bit a winged demon, who takes on the class of a short Eye Eastern man–is also intent on killing the Deetzes rather than scaring them, and wanted sex from Lydia instead of wanting to marry her. In this version of the script, Betelgeuse only needs to be exhumed from his grave to be summoned, after which he is free to wreak havoc; he cannot be summoned or controlled past saying his name three times, and wanders the world freely, appearing to torment different characters in dissimilar manifestations. McDowell's script also featured a second Deetz child, ix-year-one-time Cathy, the only person able to see the Maitlands and the discipline of Betelgeuse's homicidal wrath in the motion-picture show's climax, during which he mutilates her while in the form of a rabid squirrel before revealing his true form.[15]

In another version of the script, the film was to have concluded with the Maitlands, Deetzes, and Otho conducting an exorcism ritual that destroys Betelgeuse, and the Maitlands transforming into miniature versions of themselves and moving into Adam'south model of their home, which they refurbish to wait like their house before the Deetzes moved in.

Co-author and producer Larry Wilson has talked about the negative reaction to McDowell's original script at Universal where he was employed at the fourth dimension:

I won't name names here, but I worked at Universal Studios at the fourth dimension. I was managing director of development for the manager Walter Hill. I had a very good human relationship with a very prominent executive at Universal. He liked me, and he liked what I was doing with Walter, and the material I was bringing in.

I gave him Beetlejuice to read, and I gave it to him on a Fri, and on Monday his banana chosen me and said well, he wants to come across with y'all. My initial reaction was wow! He'd read it. He must have loved it or he wouldn't have wanted to run into me so soon. Only I went into his office, and he literally said "what are y'all doing with your career?"

"This slice of weirdness, this is what yous're going to go out into the globe with? You're developing into a very practiced executive. You've got great taste in fabric. Why are you going to squander all that for this piece of shit", was basically what he was proverb. It goes to show, right? Shortly afterwards that, we sold it to the Geffen Visitor.[17]

Skaaren'southward rewrite drastically shifted the film's tone, eliminating the graphic nature of the Maitlands' deaths while depicting the afterlife as a complex bureaucracy.[eighteen] Skaaren'due south rewrite likewise altered McDowell'southward depiction of the limbo that keeps Barbara and Adam trapped within of their dwelling house; in McDowell's script, it takes the grade of a massive void filled with giant clock gears that shred the fabric of time and space as they move. Skaaren had Barbara and Adam encounter unlike limbos every time they leave their home, including the "clock world", and the Sandworm'southward world, identified as Saturn's moon Titan. Skaaren also introduced the leitmotif of music accompanying Barbara and Adam's ghostly hijinks, although his script specified R&B tunes instead of Harry Belafonte,[18] and was to take concluded with Lydia dancing to "When a Man Loves a Woman".

Skaaren'southward first typhoon retained some of the more sinister characteristics of McDowell'southward Betelgeuse, merely toned downward the character to make him a troublesome debauchee rather than blatantly murderous. Betelgeuse'south true form was that of the Heart Eastern man, and much of his dialogue was written in African-American Vernacular English. This version concluded with the Deetzes returning to New York and leaving Lydia in the care of the Maitlands, who, with Lydia's assist, transform the outside of their dwelling house into a stereotypical haunted firm while returning the interior to its previous state. It also would have featured deleted scenes such every bit the real-estate agent, Jane, trying to convince the Deetzes to allow her to sell the firm for them (having sold it to them in the get-go place—Charles and Delia decline), and a revelation on how Beetlejuice had died centuries earlier (that he had attempted to hang himself while boozer, simply to mess information technology up and died slowly choking to death, rather than quickly by snapping his cervix) and wound-upwards working for Juno earlier striking it out on his own equally a "free-lance Bio-Exorcist".

Retrospectively, McDowell was impressed at how many people made the connection between the motion picture's title and the star Betelgeuse.[19] He added that the writers and producers had received a suggestion the sequel be named Sanduleak -69 202 afterwards the former star of SN 1987A.

Filming [edit]

While the setting is the fictional village of Wintertime River, Connecticut, all outdoor scenes were filmed in Due east Corinth, a village in the boondocks of Corinth, Vermont.[twenty] Interiors were filmed at The Culver Studios in Culver Urban center, California. Principal photography began on March 11, 1987.

Soundtrack [edit]

Beetlejuice (Original Movement Motion-picture show Soundtrack)
Soundtrack album past

Danny Elfman and Harry Belafonte
Released 1988
Genre Soundtrack
Length 36:00
Characterization Geffen
Producer Geffen Studios
Danny Elfman chronology
Pee-wee's Big Adventure
(1985) 		Beetlejuice (Original Motion Picture Soundtrack)
(1988) 		Batman
(1989)
Professional ratings
Review scores
Source Rating
AllMusic [21]
Filmtracks [22]

The Beetlejuice soundtrack, first released in 1988 on LP, CD, and cassette tape, features almost of the score (written and arranged past Danny Elfman) from the moving-picture show. Geffen reissued the original 1988 soundtrack on vinyl in 2015, which was later re-mastered and pressed to vinyl by Waxwork Records in 2019 for the 30th anniversary of Beetlejuice.[23] The soundtrack features ii original recordings performed past Harry Belafonte used in the flick: "24-hour interval-O (The Banana Boat Vocal)" and "Jump in the Line (Milkshake, Senora)". Two other vintage Belafonte recordings that appeared in the film are absent from the soundtrack: "Man Smart, Woman Smarter" and "Sweetheart from Venezuela". The soundtrack entered the Billboard 200 albums chart the calendar week catastrophe June 25, 1988, at No. 145, peaking two weeks later at No. 118 and spending a full of half-dozen weeks on the chart. This was after the moving picture had already fallen out of the top 10 and earlier the video release afterwards in October. "Twenty-four hour period-O" received a fair amount of airplay at the time in support of the soundtrack.

The complete score (with the Belafonte tracks included) was released in both the DVD and the Blu-ray as an isolated music track in the audio settings carte du jour; this version of the audio rail consists entirely of "make clean" musical cues, uninterrupted by dialogue or sound effects.

Reception [edit]

Box office [edit]

Beetlejuice opened theatrically in the United States on March 30, 1988, earning US$eight,030,897 in its opening weekend. The film somewhen grossed United states of america$73,707,461 in N America. Beetlejuice was a financial success,[24] recouping its United states$15 million budget, and was the 10th-highest grossing film of 1988.[25] [26]

Critical response [edit]

Beetlejuice was met with a generally positive response. Based on 61 reviews collected by Rotten Tomatoes, Beetlejuice received an 85% overall approval rating with a weighted average of 7.30/ten. The website'due south critical consensus reads, "Brilliantly baroque and alluvion with ideas, Beetlejuice offers some of Michael Keaton'southward most deliciously manic work - and creepy, funny fun for the whole family."[27] On Metacritic, the movie has a weighted boilerplate score of 70 out of 100, based on xviii reviews.[28] Audiences surveyed by CinemaScore gave the picture a B on a grade scale of A to F.[29]

Pauline Kael referred to the motion-picture show every bit a "comedy classic",[13] while Jonathan Rosenbaum of Chicago Reader gave a highly positive review. Rosenbaum felt Beetlejuice carried originality and inventiveness that did not exist in other films.[30] Vincent Canby of The New York Times called it "a farce for our time" and wished Keaton could have received more screen time.[31] Desson Howe of The Washington Post felt Beetlejuice had "the perfect balance of bizarreness, comedy and horror".[32]

Janet Maslin of The New York Times gave the motion-picture show a negative review, stating that the film "tries anything and everything for issue, and only occasionally manages something marginally funny" and "is about every bit funny equally a shrunken head".[33] Roger Ebert gave the film ii out of four stars, writing that he "would have been more interested if the screenplay had preserved their [Alec Baldwin and Geena Davis] sweetness romanticism and cut dorsum on the slapstick". For Keaton's character, Ebert called him "unrecognizable behind pounds of makeup" and stated that "his scenes don't seem to fit with the other action".[34]

Accolades [edit]

At the 61st Academy Awards, Beetlejuice won the University Accolade for Best Makeup, (Steve La Porte, Ve Neill and Robert Curt.)[35] while the British Academy of Film and Television Arts nominated the film with All-time Visual Effects and Makeup at the 42nd British Academy Movie Awards.[36] [37]

Beetlejuice won Best Horror Film and Best Brand-up at the 1988 Saturn Awards. Sidney also won the Saturn for Best Supporting Actress for her performance as Juno, and the picture show received five other nominations: Management for Burton, Writing for McDowell and Skaaren, Best Supporting Role player for Keaton, Music for Elfman and Special Furnishings.[38] Beetlejuice was nominated for the Hugo Accolade for Best Dramatic Presentation.[39] Beetlejuice was 88th in the American Flick Found's listing of Best Comedies.[40] [41]

Sequel [edit]

In 1990, Burton hired Jonathan Gems to write a sequel titled Beetlejuice Goes Hawaiian.[42] "Tim thought it would exist funny to friction match the surfing backdrop of a beach movie with some sort of German Expressionism, because they're totally wrong together," Gems said.[43] The story followed the Deetz family moving to Hawaii, where Charles is developing a resort. They presently find that his company is building on the burying ground of an ancient Hawaiian Kahuna. The spirit comes back from the afterlife to cause trouble, and Beetlejuice becomes a hero past winning a surf contest with magic. Keaton and Ryder agreed to practice the film, on the condition that Burton directed, but both he and Keaton became distracted with Batman Returns.[43]

Burton was however interested in Beetlejuice Goes Hawaiian in early 1991. Impressed with Daniel Waters' piece of work on Heathers, Burton approached him for a rewrite. All the same, he eventually signed Waters to write the script for Batman Returns.[44] Past August 1993, producer David Geffen hired Pamela Norris (Troop Beverly Hills, Saturday Night Live) to rewrite.[45] Warner Bros. approached Kevin Smith in 1996 to rewrite the script, though Smith turned down the offer in favor of Superman Lives. Smith subsequently joked that his response was "Didn't nosotros say all we needed to say in the outset Beetlejuice? Must we go tropical?"[46] In March 1997, Gems released a statement saying "The Beetlejuice Goes Hawaiian script is still endemic by The Geffen Company and it will likely never get made. You lot really couldn't exercise it now anyway. Winona is too old for the role, and the only way they could go far would be to totally recast it."[43]

"I don't wanna be the guy that destroys the legacy and the memory of the first film; I would rather dice. I would rather only not brand it, I'd rather only throw the whole thing away than brand something that pays no respect and doesn't live up even shut to the legacy of the first film."
— Writer Seth Grahame-Smith[47]

In September 2011, Warner Bros. hired Seth Grahame-Smith, who collaborated with Burton on Nighttime Shadows and Abraham Lincoln: Vampire Hunter, to write and produce a sequel to Beetlejuice.[48] Grahame-Smith signed on with the intention of doing "a story that is worthy of us really doing this for existent, something that is not just about cashing in, is non just about forcing a remake or a reboot down someone'south pharynx." He was also adamant that Keaton would return and that Warner Bros. would not recast the function. Burton and Keaton have non officially signed on simply will return if the script is expert enough.[49] Grahame-Smith met with Keaton in February 2012, "We talked for a couple of hours and talked about big picture stuff. It'southward a priority for Warner Bros. It's a priority for Tim. [Michael's] been wanting to do it for 20 years and he'll talk to anybody about it who will listen."[50] The story volition exist set in a real time frame from 1988; "This volition be a truthful 26 or 27 years later sequel. What'due south great is that for Beetlejuice [sic], time means nothing in the afterlife, but the world outside is a dissimilar story."[47]

In November 2013, Ryder hinted at a possible render for the sequel as well by saying, "I'm kind of sworn to secrecy just it sounds like it might be happening. It'south 27 years later. And I accept to say, I love Lydia Deetz so much. She was such a huge role of me. I would exist really interested in what she is doing 27 years later." Ryder confirmed that she would only consider making a sequel if Burton and Keaton were involved.[51] In Dec 2014, Burton stated, "It's a graphic symbol that I dearest and I miss actually working with Michael. There's only one Betelgeuse. We're working on a script and I retrieve it's probably closer than e'er and I'd love to work with him again."[52] In January 2015, author Grahame-Smith told Entertainment Weekly that the script was finished and that he and Burton intended to beginning filming Beetlejuice two by the stop of the year, and that both Keaton and Ryder would return in their respective roles.[53] In August 2015, on Late Nighttime with Seth Meyers, Ryder confirmed she would be reprising her role in the sequel.[54] In May 2016, Burton stated, "It's something that I really would like to do in the right circumstances, but it's one of those films where it has to be right. It's non a kind of a flick that cries out [for a sequel], it's not the Beetlejuice trilogy. And so it'due south something that if the elements are right—because I exercise love the character and Michael'due south astonishing as that grapheme, and so aye we'll run across. But there's nothing concrete yet."[55] In October 2017, Mike Vukadinovich was hired to re-write the script.[56] In April 2019, Warner Bros. stated the sequel had been shelved.[57]

In February 2022, a sequel was announced, produced by Programme B Entertainment with Warner Bros. Pictures. Brad Pitt will serve every bit a producer, while Keaton and Ryder volition reprise their corresponding roles. Principal photography is intended to brainstorm in the summertime of that year.[58] [59] [sixty]

In other media [edit]

Animated series [edit]

Due to the moving-picture show'southward financial success, a Beetlejuice animated television series was created for ABC. The series ran for four seasons (the final flavour airing on Fob), lasting from September nine, 1989, to December 6, 1991. Burton served as executive producer.[61]

The graphic symbol of Beetlejuice was later prominently featured in the Teen Titans Become! episode "Ghost with the Most," which aired in October 2020 every bit function of the show's sixth season. In this appearance, he was voiced by Alex Brightman, who was the first to play the Broadway musical's Beetlejuice role.[62]

Video games [edit]

  • Adventures of Beetlejuice: Skeletons in the Cupboard is a video game released for MS-DOS in 1990.
  • Beetlejuice is a video game developed by Rare and released for the Nintendo Amusement Arrangement in 1991.
  • Beetlejuice: Horrific Hijinx from the Neitherworld! is a video game created by Rare and published by LJN for the Nintendo Game Boy. Information technology is based on the animated serial.
  • A Beetlejuice-themed fun pack for the toys-to-life video game Lego Dimensions was released on September 12, 2017. The pack includes a Beetlejuice minifigure and constructable Saturn's Sandworm, and adds a Beetlejuice-themed open up-world surface area and battle arena to the game. Beetlejuice also features prominently in an episode of Teen Titans Go! included as office of the game. In the Teen Titans Go! episode, when the Titans travel to the Lego globe, Raven (DC Comics) manages to summon Beetlejuice by maxim his name iii times and she gets to become to the Beetlejuice globe and Beetlejuice says if Raven wants to win the Lego building competition, she should resort to cheating and use magic. However, Beetlejuice actually tricks her into making a giant gargoyle that the Titans have to fight.[63]

Stage musical [edit]

In 2016, work began on a Broadway stage musical adaptation of the motion-picture show directed past Alex Timbers, produced by Warner Bros., with music and lyrics past Eddie Perfect and the musical volume written past Scott Brown and Anthony King. The musical was debuted by readings starring Christopher Fitzgerald with the 2nd featuring Kris Kukul as musical manager and Connor Gallagher as choreographer.[64] The musical premiered its pre-Broadway tryout at the National Theatre in Washington, D.C. for a limited run from October 14 to Nov 18, 2018, with Alex Brightman in the title role.[65]

In December 2019, the producers announced that the production would play its final operation at the Winter Garden on June 6, 2020, to make way for a revival of The Music Man starring Hugh Jackman and Sutton Foster. The producers sought to find a theatre to transfer the show to, but the run was cut short when Broadway was shut down in March 2020 due to the COVID-19 pandemic. Subsequent productions are set to open up beyond the world, including a North American national tour. The show is prepare to reopen at the Marquis Theatre on April viii, 2022.

Meet also [edit]

  • Listing of ghost films

References [edit]

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External links [edit]

  • Official website
  • Beetlejuice at IMDb
  • Beetlejuice at AllMovie
  • Beetlejuice at Box Office Mojo
  • Beetlejuice at Rotten Tomatoes
  • Beetlejuice at Metacritic
  • Official site for Beetlejuice's Stone and Roll Graveyard Revue

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Source: https://en.wikipedia.org/wiki/Beetlejuice

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